The diversity of art forms, both in a certain period of time subject to the social background of the bottleneck, on the other hand may also develop a very different social orbit a new motif. The shaping of contemporary art and its corresponding interpretation of language generation and variations in different geographical field (zone) in a special "chemical reaction." The beginning of the 20th century, since the 1990s, the art of reflection in the social, public, restricted space (limited space) between the see-saw, and art performances or media creation platform, or is self-introspection, or even "the daily joy", Artists worthy of further consideration and study.
New creative industries in the development process of animation aesthetics there are a sufficient accumulation of history and become a historical elements, and in a flexible environment within the specific time of the show. It is undeniable that has continued since the arts and popular / popular, in animation art displayed most vividly in the more: the most primitive art practices, urban society in time and space "marginal" groups of images, from pop to Animation and then to art, or approved of those who deliberately confrontation with the popular arts, animation or strongly Bianchi vague values. But whether Duchamp's "is finished" or Pop Art, the concept of art, are among the breakthrough. Murakami-long (Takashi Murakami) more sharply Daopo: noble and vulgar art of the generation gap between now has disappeared, a "super-flat" concept was born. ( "The gap between high and low cultures is now almost gone. In a literal sense, a 'superflat' has emerged.") From the visual symbol of simple embezzlement, subject to the reality of the original road, a new generation of animation artists more flexibility ease Even creative use of the concept module (module), the media systematically combing the material, but also with a more concentrated expression of the theme In other words, in the digestion of goods, works of art at the same time limits, to establish its own aesthetic theory.
This paper can be regarded as a kind of writing as a contrast to the Chinese experience, a study China's image and positioning of Reading, and cited a "innocence" Art (naive art) knowledge and understanding of the history of Oriental Art. In participation, experience, reflection, beyond the process, the author more willing to stringent attitude to stay calm in the history of observation and analysis "cartoon generation", contemporary art as a focal point of the image as a has been writing and writing Language arts, as a political undertaking of the Pope, Yan Su art, marginal culture, popular and consumer experience, and so chaotic when the new vision, clarifying the context of its development, motivation and creativity of their behavior shows, is no doubt in the 20th Century 90 It's been a pattern of art can not be avoided in the best summed up. At the same time, the "cartoon generation" and Yan Su, and arts and the new generation of "super-flat" concept of the development of the Japanese cartoon contrast, through the contemporary "cartoon generation" of concern "innocence" Art (naive art) Creation of Works display, and display in the field of art history at this new art pedigree.