推荐回答（1个）
精锐教育提醒你：
难以割断的乡情
——读《乡里旧闻》
“人对故乡，感情是难以割断的，而且会越来越萦绕在意识的深处，形成不断的梦境。”这是孙犁先生牵挂绵绵的乡情，这种感情凝缩在为纪念他诞辰一百周年而出版的《乡里旧闻》一书中。这部书是由研究孙犁的专家也是先生晚年的朋友刘宗武先生编选的，由人民文学出版社出版，并由孙犁故乡安平县主要领导作序。
孙犁先生在美丽的滹沱河畔度过难忘的童年生活，十二岁就离开故乡到外面求学谋生，继而投身革命，一生充满传奇的色彩，更以习习荷风留香于中国文坛。他的童年生活和割舍不断的乡情影响了他的创作，或者说奠定了他的文学基础。他所写的故乡文字，特别是晚年的散文作品无不饱蘸深情，对故乡一往情深，绵绵不绝。在先生的眼里，故乡的水土甚至春天的野菜和树叶不仅带给他以吃食，更带给他一种无限的自然之美。淳朴的乡情和民风给他留下了深刻的印象，为他的人生上足了底色，而且愈到晚年这种色彩就愈鲜明。在诗《蝗虫篇---童年纪事》附记中写到：“年老多病，夜间梦多。梦中时现童年乡土景象。既写乡里旧闻若干则，今并及昆虫细物，以见童年印象之深，旅人思乡之切耳。”爱屋及乌，爱乡及虫，可见对故乡感情之依依。
凡孙犁写到的故乡人，都是非常有性格和特征的，虽然都是平凡的人物，却都能写出特定环境下的善恶美丑来。这就靠作家独特的观察和提炼捕捉，更靠乡情的维系。在小说《光荣》里，先生写了一位美丽而且上进的女孩子秀梅的形象，她和原生的感情是建立在共同的理想之上的，为大家吃好饭，为国家的幸福，心灵也是光荣的。谁能说，秀梅身上就没有支持孙犁投身革命事业的善良的妻子的影子呢?这篇作品泥土气息芬芳如蜜，读来如含饴糖，绵绵乡情，令人回肠荡气。《菜虎》中的盼儿，伶俐能干，因为发大水，父亲不能趸菜来卖，只能和小伙伴一起捕蚂蚱、蝉和它的幼虫充饥，后来她进了洋人的教堂不知所终。这使得作者很难过，“现在农村已经看不到菜虎用的那种小车，当然也就听不到它那种特有的悠扬悦耳的声音了。”《木匠的女儿》中的杏儿穷苦出身，却是一位有血有肉并为感情左右的人，最后吃了亏。《风云初记》中的俗儿就有这位女孩子的影子。《凤池叔》《瞎周》等则生动地写出了他所同情的乡亲们的不同命运，是旧社会的缩影，也是对故乡过去的记录。《父亲的记忆》《母亲的记忆》《亡人逸事》等，以自己的亲身感受写出了家人的大爱无疆，没有洪钟大吕的抒发，却是泥土真情，字字感人，读之不忘。《大根》《大嘴》等，还写了作者亲戚的生活遭遇。
民间艺术对童年的孙犁影响是深远的。比如，《楞起叔》中的主人会拉三弦，“我幼小的时候，好听大鼓书，有时也自编自唱，敲击着破升子底，当作鼓，两块破铧犁片当作板。楞起叔给我伴奏，就在他家院子里演唱起来。”这是多么美好的回忆呀，就是这些为我们的大文学家注入文艺的细胞
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